The American author, Annie Dillard,
in her nonfiction narrative, Pilgrim at
Tinker Creek, published in 1974, addressed the topic of her adventures
through a year in her hometown in Virginia’s Blue Ridge valley, and argues that
the earth was made in incomprehensible earnest. She supports this claim by
observing nature, then interacting with nature, and finally realizing how every
small aspect of nature is as important as the next. Dillard’s purpose is to
make people realize that it’s necessary to take everything in, and take
advantage of every opportunity you get in order to truly appreciate what the
universe has to offer. She adopts an inquisitive tone for her audience, the
readers of Pilgrim at Tinker Creek
and other interested in the topic of the way one can open their life through
observing nature.
While the book was an immediate success, it didn't receive any academic notoriety until critics and other authors began associating Pilgrim at Tinker Creek and Dillard herself with the Transcendentalist movement-- especially with Henry David Thoreau and his piece, Walden. Many saw Thoreau in Dillard's peculiar meandering style of presentation in Tinker Creek, and in the almost religious way she reflected on everyday experiences in the outdoors.
Like the many of the books associated with the movement, Pilgrim at Tinker Creek helped accentuate the idea of "Nature" as a profound medium to deeper spiritual connections. The loss of self is still seen as an optimum, as a necessary way to "tune in" to the surroundings. However, this book introduces the idea that it is possible to connect to "Nature" despite, or even through, scientific evaluation and understanding. The book introduced the concept that one doesn't have to embrace nature at "face value" alone; it presented the idea that scientific discoveries don't inhibit our curiosity and concern for nature. Dillard embraces scientific concepts and this helped shape the reflections in her book-- a book that proves, that with greater understanding, comes a greater capability to admire the intricacies of the natural world.
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